opfnashville.blogg.se

Deadpool, Volume 4 by Brian Posehn
Deadpool, Volume 4 by Brian Posehn






Deadpool, Volume 4 by Brian Posehn

Agent Gorman (Cameo), George Washington, Captain America, S.H.I.E.L.D. Buy Deadpool Classic Vol.Martin Van Buren, S.H.I.E.L.D.Despite his quips and similar costume, DP’s got more of an edge that Peter Parker could ever hope to have and that plays out in his crime-fighting methods as well as his metacommentary of just about everything in the issue. And secondly, it’s a clever way to show how Deadpool compares and differs from one of Marvel’s flagship heroes.

Deadpool, Volume 4 by Brian Posehn

First of all, Woods does a really killer Romita Sr. It’s a really ridiculous premise but it works so well for a couple of reasons. Pete Woods handles all of the new art but this issue remixes the original pages by John Romita Sr. Blind Al and Deadpool find themselves transported to the pages of 1967’s Amazing Spider-Man #47 and use DP’s image inducer to blend in. Joe Kelly’s penchant for innovation helped define Deadpool before he was a household name and this issue is exactly one of the reasons why.

Deadpool, Volume 4 by Brian Posehn

3: The Good, The Bad, and The Ugly on Amazon (opens in new tab)Ģ. Plus Declan Shalvey really sells the tone of the story with his somewhat darker take on Deadpool. What’s important in this story is Cap and Wolvie gaining a deeper understanding of Wade along with the reader and realizing that he really tries to be a hero in spite of himself sometimes.

Deadpool, Volume 4 by Brian Posehn

It’s an interesting look at how something as commonplace in comics as experimentation greatly altered the lives of three of the Marvel Universe’s biggest characters and how that trauma still defines them to this day. This story sees Captain America and Wolverine teaming with Wade to figure out who keeps drugging him and harvesting his organs. Duggan and Posehn may have started their run off in a fairly silly fashion but they knew how to cut to the heart, too. Deadpool’s capacity for great pathos is something that only certain writers have been able to tap into effectively.








Deadpool, Volume 4 by Brian Posehn